The 3. 2 Differences Between 'Life of Pi': Book and Movie. A boy, a tiger and a boat. These are the main elements of . The 2. 00. 1 Yann Martel novel the screenplay was based upon, sharing the title, was similarly showered with accolades: It won the prestigious Man Booker Prize for Fiction, and was inescapable on year- end best- of lists. Both acclaimed, yes, but there are surely differences between what you'll find thumbing through the novel and sitting in a crowded theater. As Martel told The Guardian, changes are inevitable.“You have to let go. And it was a crazy and fun ride.”Here are the differences we spotted between the book and the film. Massive spoiler warnings ahead. The Opening. Book version: . Sixteen pages (and descriptions of travels in India and Canada, with mental wanderings to Portugal) later, the fictitious author has thanked many who made the book possible, including the Canada Council for the Arts. Movie version: After a credits sequence wandering through the zoo where the main character grew up, we cut straight to adult Pi in Canada, telling his story to a man whose character is credited as . We don't have to slog through a long passage that does more to confuse the reader than to set the scene. Instead, we jump right into the story. Pi's education. Book version: Pi begins by regaling us with tales of his double- major Bachelor's studies (religion and zoology) in Toronto, including a lengthy meditation on the . Adult Pi mentions that he teaches religious studies now, but we don't get to hear as much about his dual fascination with religion and animal nature as we do in the book. It makes where he ends up a little less important. Pi's time in the hospital. Book version: Pi got along well with the nurses and doctors, who left him gifts and cared for him despite their language differences. His condition upon washing up on the beach of Mexico is detailed, sodium levels, leg swelling and all. This is also explained early on. Movie version: We only see Pi telling the Japanese insurance investigators his stories, at the film's close. Level of change: Medium. Good or bad change: Good. It adds some suspense to the story, even though we know he survives, to not see him recovering in Mexico before we have any idea what happened. Also, I was not curious about the color of his urine, which the book helpfully shares. Pi and swimming. Book version: He is painstakingly taught by Mamaji to swim, first by learning the strokes on land, then by swimming laps upon laps in the local pool. His father is also fascinated by . It doesn't make a difference how he learned, only that he can swim. Pi and the zoo. Book version: Pi talks for a while about the ethics of zoos, and whether the animals would like to be free or not, as well as the pleasures of growing up with full access to all the animals. Movie version: None of this. Level of change: Medium. Good or bad change: Neutral. Ang Lee's "Life of Pi" is a miraculous achievement of storytelling and a landmark of visual mastery. Inspired by a worldwide best-seller that many readers must have.Rashomon - Film (Movie) Plot and Review - Publications on Film Reference. Life of Pi: Schiffbruch mit Tiger ein Film von Ang Lee mit Suraj Sharma, Irrfan Khan. Inhaltsangabe: Pi Patel (Suraj Sharma) ist der Sohn eines indischen Zoodirektors. Life of Pi - Kindle edition by Yann Martel. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and. Life of Pi is an undeniably good film that is certainly not as good as its visuals. Those special effects when Pi is in the middle of the ocean are absolutely. A boy, a tiger and a boat. These are the main elements of "Life of Pi," the 127-minute Ang Lee film, released this week, that many are hailing as a masterpiece and a. This is just a print vs. There's not much of a way to fit in Pi's thoughts on cages, and how many scenes of a little kid staring at elephants do we really need? Kumar. Book version: Pi's biology teacher, Mr. Kumar, is the first atheist he ever meets. They debate religion, and Pi credits him with his decision to study zoology. A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another. Shark Bait (The Reef: Shark Bait in the UK, Australia and North America, Pi's Story in South Korea) is a 2006 South Korean-American computer animated film. Pi's digits have many interesting properties, although not very much is known about their analytic properties. However, spigot (Rabinowitz and Wagon. In August 2010, French filmmaker Vincent Moon and Efterklang's 8 piece live band met up on the small Danish island of Als where Efterklang’s core members grew up. Movie version: None of this. Level of change: Medium. Good or bad change: Good. The movie focuses more on Pi's journey, less on his theological ponderings. Kumar was extraneous to that theme. Feeding the tiger. Book version: Pi's father, unprompted, brings Pi and his brother, Ravi, to the tiger cage to . He has starved Mahisha, a 5. Bengal tiger, for three days, before, in front of the children, he has a keeper drop a goat into the cage. The tiger chases the goat around and, of course, rips it apart with his teeth. Pi's father then walks his sons around the zoo and explains how each of the animals could kill them if they're not careful. Movie version: Pi's brother rats him out for trying to feed Richard Parker, the new tiger, a hunk of raw meat out of his bare hand. His father makes him watch Richard Parker pull a goat through the bars and eat it, though the camera cuts away before the kill shot. Pi's father then lectures Pi about looking into animals' eyes and seeing yourself reflected there. Level of change: Big. Good or bad change: Bad. The movie version sets Pi up as a bit of a careless dummy, instead of an inquisitive scholar. It's also a bit heavy handed with the animals- to- humans metaphor that's woven throughout the book. Pi discovers Catholicism. Book version: Pi's family takes a trip to another town, where he wanders into a church and has tea and biscuits with Father Martin, who tells him intriguing stories. Movie version: Pi's brother dares him to sneak into the church and drink holy water. He then returns again and again to talk to Father Martin, who is kind to him. Level of change: Big. Good or bad change: Bad. Movie Pi is, again, kind of a jerk. In the book, he's more curious, less mean- spirited. Pi discovers Islam. Book version: Pi meets a baker in Pondicherry's Muslim Quarter who teaches him about Islam. Movie version: We don't see Pi being introduced to the religion, he just suddenly has a prayer rug. Level of change: Medium. Good or bad change: Bad. There isn't time to linger on each of Pi's discoveries, but it wouldn't hurt to flesh out his explorations a little. Pi insists that he . The movie jumps around in time and location enough without this. We get it: he's religious. The Patels leave India. Book version: Pi's father wants to leave India because he's nervous about owning a business in that political climate. Movie version: Pi's father says . We don't need the descriptions of 1. Indian politics. 1. Pi's girlfriend. Book version: Pi doesn't have a girlfriend, never attends a dance class and plays no instruments. Movie version: Pi falls in love with a girl while drumming for a dance class. Really, does everything need to have a romantic aspect? Adult Pi's family. Book version: In an aside from the writer about a third of the way through the book, he describes meeting adult Pi's wife, children and pets. It's a nice surprise, and a good reminder that life goes on, after hearing this traumatic story. One event doesn't define Pi's whole existence. Richard Parker: Manimal. Book version: Pi refers several times to Richard Parker without mentioning that he's a tiger. We think he's a human, not understanding why Pi wants to knock him out with an oar, until he's onboard the lifeboat and is identified as an adult Bengal tiger. Movie version: Pi points out Richard Parker as the finest animal in the zoo to his girlfriend before leaving India. Level of change: Big. Good or bad change: It's hard to say how this reveal would have been pulled off in the movie, but it's such a great switcharoo in the book, it would have been worth preserving somehow. Richard Parker on the boat. Book version: Pi throws a lifebuoy to Richard Parker, who is in the water, and pulls him into the boat before realizing what he's done. Commence freakout. Then, Pi thinks for days that Richard Parker isn't even on the boat, until he makes an appearance on day three. Movie version: In the calm after the storm, Pi peeks under the tarp. Richard Parker springs out. Level of change: Adult Bengal tiger- size. Huge. Good or bad change: Good. It's hard to convey the blind panic that makes Pi help Richard Parker onboard, and the 3- D tiger jumping out at audiences is a great payoff for straying from the novel. The storm. Book version: Pi goes to the deck after hearing the noise of the storm. When he decides to go down to wake his family and sees water below deck, he runs back upstairs for help. Movie version: Pi swims through the water below deck looking for his family, passing a zebra underwater. Level of change: Small. Good or bad change: He still looks for his family in both, but the only real difference is how cool the movie effects look in the underwater scenes. Hyena track meet. Book version: The hyena onboard the lifeboat constantly runs laps around the rim of the boat, cackling and driving Pi slowly insane. Movie version: The hyena is only in the picture for a few minutes, tops. No lap- running is done. Level of change: Medium. Good or bad change: The hyena is much more present in the book, but the few minutes that it was there and making those sounds was more than enough. Hyena attacks the zebra and Orange Juice. Book version: On the second day on the lifeboat, the hyena rips off the zebra's broken leg and eats it. On the third day, the hyena rips a hole in the zebra's stomach and begins eating it, which is described in graphic detail. Orange Juice the orangutan protests, but the hyena doesn't attack her. On the fourth day, Orange Juice and the hyena finally tangle (the zebra is still alive). The hyena kills her, totally beheading her. Movie version: All of this is condensed, taking place on what seems to be the first day. The hyena attacks and kills the zebra, Orange Juice protests and is then killed. The camera cuts away from the gore, and Orange Juice seems to only have one small wound when she dies. Level of change: Big. Good or bad change: Good and bad: It was bad to condense the timeline like that, as if we don't spend enough time hanging out with just Pi and Richard Parker in this movie, but good that viewers are spared what is described in the book as a blood- covered boat and Orange Juice dead and decapitated in a pose like . Richard Parker's backstory. Book version: Seven people in the same area in India were killed by a female tiger. The hunter named Richard Parker set out to kill her and found that she also had a cub, who was at the time drinking from a river. Both the mother and cub were sent to the zoo, and because of a clerical error, the cub was listed on the paperwork as . It's a good story behind the name, but there's no point in dragging anyone's mother into this. Death of a hyena. Book version: Richard Parker kills the hyena a day after the hyena kills Orange Juice. Creating a Tiger for . For this reason, and for more creative freedom, the tiger that primarily appears in the film is a digital creation from the effects house Rhythm & Hues. Here Mr. Westenhofer discusses the technical challenges of creating a tiger that looked and felt like the real thing. More images from the process can be seen in this slide show. Photo. Genuine Big Cat Feeds a Digital Big Cat. For the digital version of Richard Parker, Mr. Westenhofer’s team studied reference footage of an actual tiger, top. And real tigers were used for a few important shots, including one with Richard Parker swimming in the ocean. Four tigers along with a trainer, Thierry le Portier, were brought in, and the crew set up a movable “boat” inside a tiger enclosure to shoot some scenes.“We used them for single shots, where it was just the tiger in the frame, and they’re doing something that didn’t have to be all that specific in the action that we were after,” Mr. Westenhofer said. There was a debate about whether to include a real tiger at all, but Mr. Westenhofer pushed for it. It pushed the artists to go and deliver something that’s never been done before, something as photo- real as anyone has ever done with an animal.”Mr. Westenhofer said some animators have a tendency to anthropomorphize animals, giving them more human qualities. But the “Pi” crew was careful not to do that and to keep the digital tiger, bottom, fierce and spontaneous with animalistic instincts. Photo. Credit. Rhythm & Hues Building a Predator by Bone, Muscle, Flesh and Fur. These images take a progressive look through the meticulous process that went into constructing the digital tiger. Artists developed each layer of the animal’s physical makeup almost as if they were working on a biology experiment. They started with the skeleton, which they used to control basic movements (segments with common colors, top right, move together), then added muscle, skin and fur. More than a dozen artists were assigned to the fur alone, focusing, for example, on how light shimmered on it.“We studied the reference and dialed up the muscle flexing,” Mr. Westenhofer said. And the way it moves and shakes and bounces around is really important to see.” He added that they got to a point where, in most animation projects, they would have considered their work done. But they continued for three more weeks, further refining the creature’s mannerisms. Westenhofer said. BAFTA Film Awards. BAFTA Kids. BAFTA’s destination for youngsters to come and discover the magical worlds of film, television and games. Enter challenges, watch videos, and take part in our annual vote to decide the best film, TV show and game of the year.
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